By the way, the lights turn off quite spectacularly they do not go out instantly but slowly dim, imitating a sunset. Here, one may ask the pool staff to turn off the lights. Replica segments of the International Space Station (ISS) and the Soyuz spacecraft are immersed in the pool for use in training astronauts in weightless conditions. It is a cylindrical pool with a diameter of 23m and a depth of 12m. The pool at the Yuri Gagarin Research and Test Cosmonaut Training Center (GCTC) is located near Moscow in the Zvyozdny gorodok, or urban settlement, of Star City in Russia. I had a chance to shoot in three such pools. However, there are pools that are unique in themselves. Such an underwater studio can be made quickly from almost any pool. If there is a possibility to turn off or dim the light in the pool, then the resulting image can be very interesting! To create bubbles, one option is to connect a hose lined with holes to an air-filled balloon, or, if depth permits, put a diver nearby, exhaling bubbles from scuba equipment. So then, you just need to tinker with the bubbles. Catching the model’s reflection is quite easy by tipping the camera angle upward. There are two ways to solve this: Firstly, include in the shot the illuminated surface of the water, catching the reflection of the model and secondly, blow bubbles into the water. I think that the main problem with such a photo is the lack of a feeling of the water. As a result, I got a photo of a model that seemed to be hanging in weightlessness. I bought a big piece of black material, made it a “backdrop” for a photo and installed an underwater light. So, I decided to create a photo studio out of a pool. What does one shoot in a pool? People! However, if it is not to chronicle dive training or swimming competitions, why do we have to include the pool’s tiles in the shot? When doing underwater photography in pools, I have always been irritated by the inherent “feeling of a pool” in the resultant images.
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